blood and guts in high school summary
Her writing style has no boundaries, which can be compared to Janey who also appears to have no boundaries. The child needs to have sex with her father because otherwise, in her mind, he may leave her. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that’s like.” – Kathy Acker. The narrative of the story is disrupted with pornographic drawings, letters, and dream maps to further disembody the plot but place the reader in the narrative itself. Janey gets arrested for stealing Genet's property, and shortly afterwards, by her luck, he joins her in prison.
One day, while the gang is driving frantically in a stolen car from the police, they are involved in a car crash: Janey is the only one who survives. ( Log Out / The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. 1785 Words 8 Pages. Although, I am not claiming I will be analysing Janey’s youth to the same extent Dane has, I do intend to somewhat touch on evaluating Janey’s sexual relationship with her father and the outcome this has on the family’s dynamics. Kathy Hughes in her analysis takes a look at this approach by Acker and the overall effect of the novel when told from a 10-year-old perspective. Change ), You are commenting using your Google account. She feels compelled to repeat the abuse that was inflicted on her upon each man she meets. Laura Parnes created a "re-imagining" of the novel as a multi-screen video art piece in 2007. ...while writing it, I never considered that Blood and Guts in High School is especially anti-male, but people have been very upset about it on that ground. Kathy Acker is a burning hot razor blade. Blood and Guts in High School incorporates the text from one of Acker's previous works, "Hello, I'm Erica Jong", a chapbook written passive-aggressively and vulgarly towards novelist and feminist satirist Erica Jong. The first is an exploration biopower; the second is a reading of the oedipal family as pathology; and the third is an analysis of the gender politics of language” (Muth 90). The novel explores but simultaneously deconstructs the American politics of the time it was written and intercontinental history tying into the novel's subject of human trafficking, while being interspersed with sections of sexually detailed drawings, dream maps, symbolism and non-linear writing. However, soon after they part company, Janey dies suddenly, leaving time to pass endlessly as the narrative breaks into a final set of dream maps; here, the novel concludes.
Genet treats Janey badly and thinks little of her, but the worse he treats her the more she loves him. To install click the Add extension button.
This, at times, makes the novel difficult to follow, especially since the main narrator is Janey Smith, a ten year old girl.
Hughes argues that Acker attacks and flips the Freudian theory upside down through sarcasm and irony (Hughes 124). Another critical review that Blood and Guts received is the narrative technique in the story. Instead, Janey is overcome with the fear that her father may one day leave and she is aware that the only way to prevent this is to give him what he wants. They live together in Mexico until another woman begins to interest Janey's father, leading Janey to realize he hates her because she limits him by dominating his li… I thought it was kind of sweet at the time, but of course it's not. Acker freely admitted to using plagiarism in her work. “Acker’s novel incorporates at least three main threads of poststructuralist discourse into Janey’s narrative.
She ends up pregnant twice and has two abortions; she seems to be furiously addicted to sex and does not care whom she sleeps with. It was written in the late 1970s and copyrighted in 1978. She ends up having many sexual partners. Many writers have tried analyzing Blood and Guts to understand exactly what Acker was trying to accomplish.
And a 10-year-old can accomplish what society is afraid of doing because of their simple matter of fact speaking, “Janey, as a child, does not have the socialization to throw the veil of intellectual language over the horrors of her daily life, thus Acker does not utilize poetics when describing her life” (Hughes 127). Blood and Guts in High School by Kathy Acker. The novel is considered an anti-narrative work since it jumps in and out of narration and contains different narrators. It was written in the late 1970s and copyrighted in 1978. Congratulations on this excellent venture… what a great idea! It traveled a complex and circuitous route to publication in 1984. It will enhance any encyclopedic page you visit with the magic of the WIKI 2 technology.
Afterwards, she begins to live in the New York slums. Acker freely admits to plagiarising other well known novels.
For a period of time her father sends her money, but later she begins to work at a hippie bakery and is appalled by the customers, whose behavior gradually spirals out of control. Acker’s use of ugly, shocking and immature language forces the reader to face the issues upfront. Change ), You are commenting using your Facebook account. After travelling together across North Africa for some time, Genet gives Janey some money and leaves. She becomes the property of a Persian slave trader who keeps her locked up, trying to turn her out as a prostitute. It traveled a complex and circuitous route to publication, before being officially released in 1984. Her experiments with language contribute to a poststructuralist skepticism regarding the effectiveness of language to convey truth. There she meets Jean Genet, the iconic French writer, and they develop a relationship while Janey vulgarly and intensely discusses but later becomes attracted to President Jimmy Carter. Two thieves break into her apartment, kidnap her, and sell her into prostitution. Blood and Guts in High School incorporates the text from one of Acker's previous works, "Hello, I'm Erica Jong", a chapbook written passive-aggressively and vulgarly towards novelist and feminist satirist Erica Jong. He decides to leave her. Genet treats Janey badly and thinks little of her, but the worse he treats her the more she loves him. Johnny returned home (what is home?) We have created a browser extension. This is particularly evident in Blood and Guts in High School, as Acker subverts the capitalist system and depicts the problems with patriarchy. Not only is the narrating technique unstable and at times, unreliable, but the narrator herself, Janey, a 10-year-old girl, who lives until 14, experiences things that no little girl should. This scene offers no comfort for the reader, as Janey’s innocence is exposed. Blood and Guts in High School is a novel about the life of Janey who, at the age of ten, was a slave to her father’s sexual desires. Shortly before the kidnapper is to release her to become a prostitute for him, she discovers she has cancer. When I wrote it I think it was in my mind to do a traditional narrative. She ends up pregnant twice and has two abortions; she seems to be furiously addicted to sex and does not care whom she sleeps with. Blood and Guts in High School (1978) was highly controversial in its time and was even banned in West Germany and South Africa for being too pornographic, which is not entirely surprising as it is a collage novel comprised of pornographic drawings, letters, visions and poems. 1. Blood and Guts in High School is a novel by Kathy Acker. , "A Conversation with Kathy Acker By Ellen G. Friedman", “All in the Family: Kathy Acker’s Blood and Guts in High School.”, “Incest and Innocence: Janey’s Youth in Kathy Acker’s Blood and Guts in High School.”, “Postmodern Fiction as Poststructuralist Theory: Kathy Acker’s Blood and Guts in High School.”, https://en.wikipedia.org/w/index.php?title=Blood_and_Guts_in_High_School&oldid=948743916, Creative Commons Attribution-ShareAlike License, This page was last edited on 2 April 2020, at 20:14. The plants in her room cast strange, beautiful shadows over the other shadows. Many of Acker's heroines have or fear getting cancer. It is featured in Peter Boxall's book, 1001 Books You Must Read Before You Die and The Little Black Book of Books. Futher, incest between a father and a daughter seems to be a poignant metaphor for the corruption of the family structure. Poetic language would have decreased the horror for the reader – making Janey’s relationship with her father seem like true love. However, to prevent her dad from leaving her, she eventually gives in to his sexual desires and crawls into bed with him. When, Johnny, the father, comes home from his date at seven o’clock in the morning and, Janey is meant to crawl into bed with him, the child runs away from his sexual advances. Sensational and cynical, Blood and Guts in High School aspires to unsettle. It remains Acker's most popular and best-selling book. Hughes argues that Acker attacks and flips the Freudian theory upside down through sarcasm and irony (Hughes 124).
Katie R. Muth in her article described Blood and Guts as a novel that draws arguments from gender studies, global capitalism, and theories of subject formation (89). Yet, Janey is only a child. This is particularly noteworthy when Janey confronts her dad about entering a monogamous relationship: You told me that you were just friends like me and Peter (Janey’s stuffed lamb) and you weren’t going to sleep together. Afterwards, she begins to live in the New York slums. "A Conversation with Kathy Acker By Ellen G. Friedman", “All in the Family: Kathy Acker’s Blood and Guts in High School.”, “Incest and Innocence: Janey’s Youth in Kathy Acker’s Blood and Guts in High School.”, “Postmodern Fiction as Poststructuralist Theory: Kathy Acker’s Blood and Guts in High School.”. Susan E. Hawkins describes Blood and Guts as a text that contains plagiarism, parody, pastiche, and other antirealist techniques that mark her work as postmodern (Hawkins 637). Her father agrees to let her go and puts her into a school in New York City. However, her use of simplistic language makes the horror more real as it highlights the narrators age and naivity.
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