the namesake themes
I want to go back. She lives alone and sees her children and grandchildren rarely; this is "a life that Ashoke's mother would find humiliating." The Namesake Themes Relationships between Parents and Children The theme of the relationship between parents and children becomes prominent, as Gogol grows old enough to interact with his parents as a child. Suggestions Use up and down arrows to review and enter to select. The tension of life versus death is apparent to Gogol as he gets ready for his wedding.
Although our view into the life of Ashoke and Ashima makes them central to the novel, it is Gogol who becomes the main protagonist, and whose development we follow most…. He now understands the guilt and uselessness his parents had felt when their own parents had passed away across the world, in Calcutta. Gogol begins to feel tender toward his father after his death, when his attitude toward him while he was alive was generally impatient. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. Only close family uses the pet name in the privacy of the home, while the "good" name is used in formal situations like work. Detailed explanations, analysis, and citation info for every important quote on LitCharts. She tells him, "She was convinced in her bones that there would be no one at all. The theme of name and identity emerges in Chapter 9 while Astrid, Donald, and the guests at the dinner party discuss what to name Astrid's baby. The Gangulis are a family unit that grows and matures over time. A summary of Themes in Jhumpa Lahiri's The Namesake. Instead, Lahiri carefully orchestrates a sequence of recurring activities, parties, meals, and social events throughout Ashima, Ashoke, and Gogol’s life. She remembers when Gogol and Sonia were little, helping her prepare the food for these parties: "Gogol's hand wrapped around the can of crumbs, Sonia always wanting to eat the croquettes before they'd been breaded and fried." In a sense, her own desires, for love and fulfillment and companionship, never change. Of course, Ashima and Ashoke feel out of place when they move to Cambridge. Lahiri tracks, through The Namesake, the changes that occur to the Ganguli family. But, by the end of the novel, it becomes clear that Lahiri’s point is much larger. Copyright © 1999 - 2020 GradeSaver LLC. The Bengali tradition of naming includes the development of a daknam, a pet name or nickname, and a bhalonam, a good name, used in public life and on official documents. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. everything you need to sharpen your knowledge of The Namesake. Gogol’s decision to change his name to Nikhil before leaving home for college demonstrates his desire to take control over his own identity. While Ashima is pregnant with Sonia, Gogol and Ashoke eat dinner alone together and Ashoke scolds Gogol for playing with his food. At the college party, Gogol is reluctant to introduce himself to Kim as "Gogol," so he says his name is Nikhil.
The words the American husbands at the hospital speak to their wives demonstrate the culture barrier between India and the United States. "My students can't get enough of your charts and their results have gone through the roof." They know that their relationship will appeal to their Bengali parents, and they find this both comforting and surprising; they never thought they would please their parents in that way. And Ashima feels again out of place when the family relocates to the suburbs of Boston, just as Ashima was becoming accustomed to her Cambridge neighborhood. This experience alienated her from her parents, since she did not want to take their advice about whom she should marry, and since she resented them for trying to control her destiny in that way. Through the Ganguli family Lahiri looks at how the immigrant experience is different for the two generations of immigrants, Lahiri does this by first introducing us to Ashima’s experience and her feeling of alienation which is representative of most of the first generation immigrants. Remember, this site is not for essay writing as such. The film was produced by Indian, American and Japanese studios.
The Namesake study guide contains a biography of Jhumpa Lahiri, literature essays, quiz questions, major themes, characters, and a full summary and analysis. -Graham S. “Would not have made it through AP Literature without the printable PDFs. Gogol decides to change his name when he turns eighteen, picking a name his father once picked for him in the tradition of Indian society. Ashima and Ashoke have to give their son a pet name as they wait for the "good" name suggestions to arrive from Ashima's grandmother, but the letter from Calcutta never comes. This section contains 1,222 words
He thinks about how "they were already drunk from the book party, lazily sipping their beers, their cold cups of jasmine tea. She went to Paris so she could reinvent herself without the confusion of where she fit in. Gogol begins to feel more and more nostalgic as his marriage with Moushumi progresses.
What is familiar for most readers in America is deeply unfamiliar to Ashoke and Ashima, who therefore provide a unique perspective on seemingly everyday things within American society. It gives him the confidence to kiss her: "It hadn't been Gogol who had kissed Kim... Gogol had nothing to do with it.". Teach your students to analyze literature like LitCharts does. Of course, Ashima and Ashoke feel out of place when they move to Cambridge.
It is "the first time he's been out with a woman who'd once known him by that other name." Love them or hate them, everybody has a family in some shape or form. Teachers and parents! The Namesake is a 2006 English-language drama film directed by Mira Nair and written by Sooni Taraporevala based on the novel The Namesake by Jhumpa Lahiri.It stars Tabu, Irrfan Khan, Kal Penn and Sahira Nair. The Namesake is the first novel by author Jhumpa Lahiri, who was born in the UK to Bengali parents and then moved to the USA as a small child.Like her collection of short stories published in 1999, Interpreter of Maladies, The Namesake focuses on first-generation Indian immigrants and the issues they and their children face in the United States. Gogol feels alienated sometimes in his marriage to Moushumi.
Ashoke decides not to tell Gogol about his near-death experience because he realizes that Gogol is not able to understand it yet.
This causes Gogol to enjoy it, to cherish it, especially the time they spend in the woods of New Hampshire.
This decision points to the tension between life and death: "Today, his son's birthday, is a day to honor life, not brushes with death. It creates a rift between Ashoke's name and his identity, at least his identity to his wife. The theme of the relationship between parents and children becomes prominent, as Gogol grows old enough to interact with his parents as a child. Surprisingly, Ashima is pleased with this outcome, as opposed to an unhappy but dutiful marriage for her son. He remembers that the whole family would see him off every time he returned to Yale as a college student; "his father would always stand on the platform until the train was out of sight.". ", Ashima feels alienated in the suburbs; this alienation of being a foreigner is compared to "a sort of lifelong pregnancy," because it is "a perpetual wait, a constant burden, a continuous feeling out of sorts... something that elicits the same curiosity from strangers, the same combination of pity and respect." He does not think he can bear being so far away from his mother for so long. The identity she forms with Gogol, that of husband and wife, chafes with her, and she seeks to abandon it. Introduction and Key Themes of Reckoning and The Namesake. They don't have the type of intimate, personal wedding their American friends would have planned. This changes both their lives, and their initial transition to marriage in Cambridge isn’t always an easy one. But she does not do so to argue that life is entirely change. Although Ashima occasionally longs for life in Calcutta, she realizes she has made a new life, a new home for herself and her family in the United States. Not even the source of his namesake.". Their parents plan the entire thing, inviting people neither of them has met and engaging in rituals neither of them understands. When she arrives home from the hospital, Ashima says to Ashoke in a moment of angst, "I don't want to raise Gogol alone in this country.
Your IP: 220.127.116.11 Their husbands' names are considered too intimate to be used. Ashima has never uttered Ashoke's name in his presence; the reader is reminded of this fact as she signs his name to their Christmas cards. This theme is born out in Gogol’s different romantic relationships. These papers were written primarily by students and provide critical analysis of The Namesake by Jhumpa Lahiri. The theme of the United States vs. India is apparent during the wedding between Moushumi and Gogol. And Ashima feels again out of place when the family relocates to the suburbs of Boston, just as Ashima was becoming accustomed to her Cambridge neighborhood.
The tension between the way things are in the United States and the way things are in India is apparent in the character of Mrs. Jones, the elderly secretary whom Ashoke shares with the other members of his department at the university. Joyce, Meghan. They say that they love their wives and comfort them with intimate words, while Ashima knows that she and Ashoke will not exchange those types of words since "this is not how they are. It is that America is a country of “being outside,” of different groups and communities, some overlapping, others quite removed from one another. She "feels lonely suddenly, horribly, permanently alone, and briefly, turned away from the mirror, she sobs for her husband." "They talk about how they are both routinely assumed to be Greek, Egyptian, Mexican - even in this misrendering they are joined." She thinks, "Fortunately they have not considered it their duty to stay married, as the Bengalis of Ashoke and Ashima's generation do." "The Namesake Themes".
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